{"id":43490,"date":"2025-02-12T10:45:16","date_gmt":"2025-02-12T09:45:16","guid":{"rendered":"https:\/\/museuart.cat\/sala-de-premsa\/ndp-the-girona-art-museum-incorporates-new-pieces-in-the-rooms-dedicated-to-romanesque-art-and-the-sant-feliu-altarpiece\/"},"modified":"2026-06-04T09:52:10","modified_gmt":"2026-06-04T07:52:10","slug":"ndp-the-girona-art-museum-incorporates-new-pieces-in-the-rooms-dedicated-to-romanesque-art-and-the-sant-feliu-altarpiece","status":"publish","type":"sala-de-premsa","link":"https:\/\/museuart.cat\/en\/sala-de-premsa\/ndp-the-girona-art-museum-incorporates-new-pieces-in-the-rooms-dedicated-to-romanesque-art-and-the-sant-feliu-altarpiece\/","title":{"rendered":"[NdP] The Girona Art Museum incorporates new pieces in the rooms dedicated to Romanesque art and the Sant Feliu Altarpiece"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"> <\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"NormalTextRun SCXW87210256 BCX8\">The Girona Art Museum incorporates<\/span> <span class=\"NormalTextRun SCXW87210256 BCX8\">new pieces in<\/span> <span class=\"NormalTextRun SCXW87210256 BCX8\">the rooms dedicated to Romanesque art and the Sant Feliu Altarpiece<\/span><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>The Girona Art Museum has incorporated the <span class=\"TextRun SCXW213842112 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW213842112 BCX8\">Sagrada Fam\u00edlia<\/span><\/span> relief <span class=\"TextRun SCXW213842112 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW213842112 BCX8\">(12th<\/span><\/span> <span class=\"TextRun SCXW213842112 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW213842112 BCX8\">century<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">)<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">into<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">its<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">permanent<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">exhibition<\/span><\/span> <span class=\"TextRun SCXW213842112 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW213842112 BCX8\">,<\/span><\/span> <span class=\"TextRun SCXW213842112 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW213842112 BCX8\">at<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">river<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">t<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">  or<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">  linked to<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">the circle of Gilabert de Toulouse<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">,<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">  in room 2<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">,<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">  dedicated to the Romanesque<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">,<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">as well as<\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">  new fragments of the altarpiece of Sant Feliu in  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">room 9,<\/span> <span class=\"NormalTextRun SCXW213842112 BCX8\">one  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">scope  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">dedicated  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">exclusively  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">to  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">this one  <\/span><span class=\"NormalTextRun SCXW213842112 BCX8\">artistic ensemble.  <\/span><\/span><span class=\"EOP SCXW213842112 BCX8\" data-ccp-props=\"{\"> <\/span><\/li>\n\n\n\n<li><span class=\"TextRun SCXW264446640 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW264446640 BCX8\">In order to properly condition these spaces and integrate the new works, the rooms remained closed for a week. This intervention has also improved the presentation and vision of the pieces already on display. <\/span><\/span><\/li>\n\n\n\n<li><span class=\"TextRun SCXW73705656 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW73705656 BCX8\">The new additions, which can now be visited, enrich the museum discourse<\/span> <span class=\"NormalTextRun SCXW73705656 BCX8\">and<\/span> <span class=\"NormalTextRun SCXW73705656 BCX8\">reinforce the commitment of the Girona Art Museum to the conservation of the artistic and historical heritage of Catalonia, and especially that<\/span> <span class=\"NormalTextRun SCXW73705656 BCX8\">linked to the<\/span> <span class=\"NormalTextRun SCXW73705656 BCX8\">Girona territory<\/span> <span class=\"NormalTextRun SCXW73705656 BCX8\">.<\/span><\/span><\/li>\n<\/ul>\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"wp-block-paragraph\"><strong><span class=\"TextRun SCXW43684542 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW43684542 BCX8\">Sagrada<\/span> <span class=\"NormalTextRun SCXW43684542 BCX8\">Fam\u00edlia<\/span><\/span> <span class=\"TextRun SCXW43684542 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW43684542 BCX8\">relief<\/span><\/span> , <span class=\"TextRun SCXW43684542 BCX8\" lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW43684542 BCX8\">attributed to or<\/span> <span class=\"NormalTextRun SCXW43684542 BCX8\">linked to the<\/span> <span class=\"NormalTextRun SCXW43684542 BCX8\">circle of Gilabert de Tolosa<\/span><\/span><\/strong><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">The<\/span> <i><span data-contrast=\"auto\">Sagrada Familia<\/span><\/i> <span data-contrast=\"auto\">is<\/span> <span data-contrast=\"auto\">an outstanding stone high relief, dated to the second half of the 12th century and attributed to the workshop or circle of Gilabert de Tolosa. This sculpture, which Josep Puig i Cadafalch (1954) identified as a tympanum, is distinguished by its great artistic quality and the singularity of being associated with an identifiable master sculptor in the context of Catalan and European Romanesque.   <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">The sculpture presents a seated Virgin Mary with the Child on her lap and another standing figure, identified as Saint Joseph. Despite the erosion that has erased the Child&#8217;s face and some chipping at the corners, it is preserved in good condition and allows the mastery of its author to be fully appreciated. <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">Its existence was known and had been documented in various private collections since 1835. Initially, it was part of the facade of a house in Breda, in the region of La Selva, from where it is thought to have come. Later, it was moved to Mas Riembau de Tona and, since 1970, it has been in a private collection in Puigcerd\u00e0.  <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">The Girona Art Museum promoted its acquisition through the Department of Culture of the Generalitat de Catalunya. The work was documented as coming from the monastery of Sant Salvador de Breda and had been studied and published in several reference works, such as   <\/span><i><span data-contrast=\"auto\">Romanesque sculpture in Catalonia<\/span><\/i> <span data-contrast=\"auto\">by Josep Puig i Cadafalch (1954),<\/span> <i><span data-contrast=\"auto\">Romanesque Catalonia<\/span><\/i> <span data-contrast=\"auto\">(Catalan Encyclopedia) and other studies.<\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">This work, which meets the conditions of exceptionality, quality and rarity, is culturally very valuable and complements the collection of the Girona Art Museum. It is thus added to the examples of relevant Romanesque workshops that are preserved and exhibited in the Museum, such as the examples by the Master of Cabestany from the monastery of Sant Pere de Rodes. <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><b><span data-contrast=\"auto\">Altarpiece of Saint Feliu<\/span><\/b><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">During the year 2024, the<\/span> <a href=\"https:\/\/museuart.cat\/ndp-el-museu-dart-de-girona-adquireix-un-fragment-del-retaule-de-sant-feliu-amb-el-suport-dels-amics-del-museu-dart\/\"><span data-contrast=\"none\">Friends<\/span><\/a> <a href=\"https:\/\/amicsmda.org\/\"><span data-contrast=\"none\">of the Art Museum<\/span><\/a> <span data-contrast=\"auto\">donated<\/span><span data-contrast=\"auto\">  of several fragments of the altarpiece of Sant Feliu de Girona, among which those that have been incorporated into room 9 stand out: a pinnacle and a figure of the guardapols. This figure, almost 123 cm high and about 90 wide, is the work of Pere Robredo, who was installed in Girona between 1507 and 1512. It was part of one of the sides of the altarpiece, called guardapols or pulseras, which surrounded the work as a frame.    <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">The dust covers on the sides were dedicated to the iconography of the tree of Jesse, which represents the genealogy of Jesus Christ from Jesse, father of King David. This theme served to reinforce the link between the Old and New Testaments. The fragment, which shows a crowned figure carrying a mace in his hand, would correspond to one of these kings of the dynasty, although it is not possible to identify which one.  <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><b><span data-contrast=\"auto\">Future improvements: Discovery Point renovation<\/span><\/b><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-contrast=\"auto\">As part of the continuous improvement actions and incorporation of new pieces into the permanent exhibition, this Monday renovation work began on room 13, a space dedicated to the discovery of the pictorial process, where visitors can learn about the preparation processes (supports, techniques, etc.) and the natural origin of pigments.  <\/span><span data-ccp-props=\"{\"> <\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span data-ccp-props=\"{\"> <\/span><span data-contrast=\"auto\">As of today, Wednesday, February 12, this new room is once again open to the public.<\/span><\/p>\n","protected":false},"featured_media":32665,"template":"","class_list":["post-43490","sala-de-premsa","type-sala-de-premsa","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - 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